Lance Goodall 20 March 2018 — Update 25 March 2018
Hillsong Young & Free’s new music video “P E A C E” channels the strange and supernatural . Although not the first time, their creative license constantly pushes through many an unbiblical boundary. The lyrics of the song highlight God’s peace that surpasses understanding, even mentioning “Jehovah Shalom” and Jesus by name.
But their ‘trippy’ video features maidens who are ghost-like in wearing white gowns and crowns, to a singer draped head to toe in red veils and a rainstorm of blood.
Thank you to everyone who has taken the time to watch and engage with our new music video for P E A C E.
The video has since been removed
The website continues….
As many of you know, this song is an especially significant one for us because it deals with such an important subject – anxiety – which so many young people are struggling with.
We are passionate about the freedom that is found in God’s peace and we’re praying that this song becomes an anthem of the heart for those who need it the most.
When it came to making this video, we deliberately chose to represent the struggle of anxiety, along with the refuge that is found in God’s peace, in a symbolic way, allowing each young person who watched it to respond to it personally.
We know that art is always interpreted through each individual’s unique and special frame of reference, but it seemed extra important for us to make space for that to happen in this video, given how varied every experience with anxiety can be.
Cesar A. Cruz famously said “Art should comfort the disturbed and disturb the comfortable,” so we’re pleased to hear that so many of you have found the comfort of God’s peace through the artwork of this music video.
Really? — This may be true of mainstream art, but the heart of Christian art should be to give glory to God, and to lift the spirits of the viewer or hearer, not oppress and trigger the viewer like this video does.
Thank you to those who have bravely shared with us how you relate to the video’s depiction of struggling with anxiety, laying down the urge to fight the battle in your own strength, and finding release in God’s peace. Please pray with us that many more young people dealing with anxiety receive the good news of God’s peace through the video.
For some, our visual representation of anxiety in the video might trigger some confronting feelings. In this case, it’s vitally important that you speak to someone who can help you process what you’re feeling. In Australia, two options are Lifeline and Beyond Blue. We’ve included phone numbers and websites as well as options for the United States and United Kingdom at youngandfree.co/help.
From our perspective, it would be a total tragedy if those who need the message of God’s peace, instead get caught up in anxiety due to over-analyzing the symbols in the music video.
‘Over Analyzing’— Perhaps, but it would appear that they know exactly what they are doing.
We’re working hard to refine our crafts, steward our talents, and create ‘artworks’ that give young people a glimpse of God’s divine mystery that makes them want to know more. Thanks for being the best supporters ever as we give it our best.
Love you guys,
Hillsong Young & Free
‘Our crafts’ — it’s craft alright, but more likely witchcraft
Picture of the goddess Vesta
Who was Vesta?
Vesta was the Roman goddess of fire, the hearth, the home and the Roman state.
When her brother Jupiter defeated the Titans, and ascended the throne of the gods on Mount Olympus, he offered to her grant whatever she asked. The only desire of Vesta was the preservation of her virginity. When she was introduced to Mount Olympus the gods Apollo and Neptune asked for her hand in marriage. She refused their offers and Jupiter allowed her to remain an eternal virgin.
The ass is Vesta’s sacred animal, whose braying supposedly kept the lascivious Priapus away. Vesta is portrayed as a stern woman, wearing a long dress and with her head covered. Her right hand rests against her side and in her left hand she holds a scepter.
At varying times there were four to six priestesses employed. (note the number of veiled ladies in the video)
In Rome the only priesthood open to women was that of the Vestal Virgins. Other women could have religious duties but only in the role as wives to priests. There is some debate about the beginnings of the Vestal Virgins, most argue that the priesthood was established by King Numa in Alba as is told by many ancient historians 27
What cannot be ascertained is whether the Vestals are representations of his wives or his daughters
The Vestal Virgins were six in number 29; however Dionysius of Halicarnassus states that there “were originally four in number… Later their number was increased to six”
The goddess worshiped by the sacred prostitutes and the Vestals were not completely different.
Vesta was the patron goddess of Rome and placating her through the dedication to the sacred flame and other religious rites contributed to the well being of Rome 48 The Vestals were devoted to her for the protection of Rome, the breaking of their vows often being attributed to the cause of Rome’ s failings in military campaigns or plagues 49
Sacred prostitutes were mainly in Corinth whose patron goddess was Aphrodite Ourania, who was said to have been depicted in armour, though no depictions have survived. It is not hard to envisage that Aphrodite on Corinth would have taken a battle-ready role due to the influences, Aphrodite‟s counterparts often being depicted in armour or armed;
Both Vesta and Aphrodite Ourania provided the function of protector of their realms.
It may never be fully understood as to why sacred prostitution was an integrated part of Greek religion and why women were all but excluded from offices in Roman religion. Sacred prostitution did exist in Corinth and possibly other parts of Greece, their power limited but none the less important. Vestal Virgins were the only priestess in Rome but were given more rights than other Roman women. Both groups of women played an important role in the worship of their respective goddesses which provided both Corinth and Rome with protection, from external dangers and internal.
The sexual portrayal of these women, one a pure untouched virgin, the other highly sexually charged, was utilised in a way that best benefited the goddess they were serving in order to ensure that the goddess provided for the city.
Vesta and the Vestal Virgins
The circular Temple of Vesta was situated in the Forum Romanum and served by the priestesses called the Vestal Virgins. The Vestal Virgins (sacerdos Vestalis) were the only female priestesses of Ancient Rome.
The duty of the Vestal Virgins was to keep the sacred fire that burned on the altar of the goddess Vesta from being extinguished and to preserve a sacred pledge on which the safety and the very existence of Rome was supposed to depend. The Romans looked upon Vesta as one of the protective deities of their empire and that the safety and fate of Rome depended upon the preservation of the sacred fire in the temple of Vesta. The Romans believed that the extinction of the sacred fire foreboded the most terrible misfortune to Rome and its empire.
Every March 1 the fire was renewed and it burned until 391, when the Emperor Theodosius I forbade public pagan worship.
The Vestalia was a festival held in honor of Vesta on the 9th of June, and was celebrated exclusively by women, who walked barefooted in procession to the temple of the goddess.
Facts about Vesta
The Roman goddess of fire, the hearth, the home and the Roman state.
History and Mythical Facts about Apollo
- Vesta was the daughter of the Titan gods Saturnus and Ops
- Vestalia was the festival of the goddess and was celebrated June 7 to June 15 when the curtained sanctum her temple was opened for Roman women to offer sacrifices
- She was also celebrated on the Roman’s New Years day (March 1st) when her flame was ritually renewed
- A Vestal Virgin swore a sacred vow of chastity for 30 years. If the vow was broken, the Vestal was buried alive in the Field of Wickedness (Campus Sceleris)
- Her worship was observed in every household along with that of the Penates and the Lares
- The sacred area of the Atrium Vestae comprised of the Temple of Vesta, a sacred grove, the Regia (headquarters of the pontifex maximus, or chief priest) and the House of the Vestal Virgins
- The goddess was rarely depicted, and was instead represented by a naked flame.
- Offerings were made to the goddess at every meal by throwing some of the food into the fire.
- Her temple contained many of Rome’s important legal documents.
- The institution of the Vestal Virgins is generally attributed to Numa Pompilius who reigned 715–673 BC
- Any rite or religious act first required the invocation of Janus, with a corresponding invocation to Vesta at the end of the rite (Janus primus and Vesta extrema).
Picture of the Vestal Virgins, the priestesses of the goddess Vesta
The Tantric word for a sacred harlot was Veshya, probable origin of the Goddess’s oldest names in Greece and Rome,
Hestia or Vesta, the Hearth-mother, served by the Vestal Virgins who were originally harlot-priestesses.22
“Hearth” and “Earth” both arose from the altar of the Saxon Goddess Ertha, or Heartha, the northern Hestia-Vesta.
In the matriarchal age, every woman’s hearth-fire was her altar.23 The hearth was also the omphalos, feminine hub of the universe, navel-stone of the temple, around which the sacred harlots performed their Dances of Time.
Dancing harlots came to be called Hours: Persian houri, Greek horae. Egyptian temple-women also were Ladies of the Hour. Each ruled a certain hour of the night, and protected the solar boat of Ra in the underworld during his passage through her hour. 24
The Dance of the Hours began as a pagan ceremony of the Horae (divine “Whores”)
who kept the hours of the night by dances, as Christian monks later kept the hours of the day by prayers. The oldest authentic Hebrew folk dance is still called hora after the circle dances of the sacred harlots.
The Horae also guarded the gates of heaven, ministered to the souls of the blessed, and turned the heavenly spheres.25 (See Houri.)
Holy whores were called “virgins” because they remained unmarried (see Virgin Birth).
Like medieval nuns, they took veils as a badge of their office. Ishtar-Asherah-Mari-Anath was not only the Great Whore but also the Great Virgin (kadesha, holy one). Her Greek name was Athene, also described as a “virgin” (Parthenia); but Athene’s
temple, the Parthenon, was served by promiscuous hierodules like all other shrines of the Goddess.
Later myths rationalized the perpetual “virginity” of lascivious fertility-goddesses by periodic hymen-renewing ceremonies such as sea baptism, annual bathing in sacred springs, etc.
The virginity of Great Mother Hera was annually restored by a dip in the spring of Canathos at Nauplia. Pausanias said the myth was based on a rite of bathing the Goddess’s image.35
Because whores occupied a significant position in paganism, Christians vilified their profession. Churchmen didn’t want to stamp out prostitution altogether, only amputate its spiritual meanings.
Created by the elite-friendly Maison Margiela, the dress had all of the components of occult ritual drama.
- First, it was 100% bright red which, in occult ritual, represents sacrifice.
- Blood speaks to them of power and the life is in the blood
- The veil on her head also hints to a ritualistic process.
- Veils are removed from brides’ heads when they are ready to “consummate their wedding”.
- Being a pawn of the elite is nothing less than a wedding … with the dark side.
- The headdress of this ensemble is the most obvious part of it all.
It features an eye that covers one of Perry’s actual eyes. In other words, she was a walking-talking one-eye sign. In case you’ve never read any other articles on this site, the one-eye sign identifies pawns of the elite’s industry.
Around the eye is stitched the word “witness”. Eye Witness. On each side of her head are two spiral things and two rectangle things which make it look as if she had horns.
Some observers stated that the “Eye Witness” thing might be promoting her new album. Whatever the case may be, Katy is currently in DEEP Illuminati symbolism.
Screenshot of woman in red from Peace video
Rain Of Blood
The Amityville Horror
The original Amityville Horror (1979) is perhaps the best known use of the haunted house gag, but Stanley Kubrick’s version a year later in The Shining when the Overlook Hotel gushes forth a torrent of emotional blood from one of its elevators.
This is the horror and demonic theme seen in Hillsong’s video?
MK Ultra Programming
Some of the 30 odd methods used against a victim/survivor is called a “slave” by the programmer/handler, who in turn is perceived as “master” or “god.” About 75% are female since they possess a higher tolerance for pain and tend to dissociate more easily than males. Monarch handlers seek the compartmentalization of their subject’s psyche in multiple and separate alter personas using trauma to cause dissociation.
Note method 26 and 30
26. Desecration of Judeo-Christian beliefs and forms of worship; dedication to Satan or other deities
“The basis for the success of the Monarch mind-control programming is that different personalities or personality parts called alters can be created who do not know each other, but who can take the body at different times. The amnesia walls that are built by traumas, form a protective shield of secrecy that protects the abusers from being found out, and prevents the front personalities who hold the body much of the time to know how their System of alters is being used. The shield of secrecy allows cult members to live and work around other people and remain totally undetected.
The front alters can be wonderful Christians, and the deeper alters can be the worst type of Satanic monster imaginable–a Dr. Jekyll/Mr. Hyde effect.
A great deal is at stake in maintaining the secrecy of the intelligence agency or the occult group which is controlling the slave. The success rate of this type of programming is high but when it fails, the failures are discarded through death. Each trauma and torture serves a purpose. A great deal of experimentation and research went into finding out what can and can’t be done. Charts were made showing how much torture a given body weight at a given age can handle without death.” [9. Springmeier, op. cit.]
“Due to the severe trauma induced through ECT, abuse and other methods, the mind splits off into alternate personalities from the core. Formerly referred to as Multiple Personality Disorder, it is presently recognized as Dissociative Identity Disorder and is the basis for MONARCH programming. Further conditioning of the victim’s mind is enhanced through hypnotism, double-bind coercion, pleasure-pain reversals, food, water, sleep and sensory deprivation, along with various drugs which alter certain cerebral functions”. [10. Patton, op. cit.]
Dissociation is thus achieved by traumatizing the subject, using systematic abuse and using terrifying occult rituals.
Once a split in the core personality occurs, an “internal world” can be created and alter personas can be programmed using tools such as music, movies (especially Disney productions) and fairy tales.
These visual and audio aids enhance the programming process using images, symbols, meanings, and concepts. Created alters can then be accessed using trigger words or symbols programmed into the subject’s psyche by the handler. Some of the most common internal images seen by mind control slaves are trees, Cabalistic Tree of life, infinity loops, ancient symbols and letters, spider webs, mirrors, glass shattering, masks, castles, mazes, demons, butterflies, hour glasses, clocks, and robots. These symbols are commonly inserted in popular culture movies and videos for two reasons: to desensitize the majority of the population, using subliminals and neuro-linguistic programming and to deliberately construct specific triggers and keys for base programming of highly-impressionable MONARCH children. [11. Ibid.] Some of the movies used in Monarch programming include The Wizard of Oz, Alice in Wonderland, Pinocchio and Sleeping Beauty.
Levels of Monarch Programming
A brief outline highlights the key levels of Monarch Programming identify the slave’s “functions” and are named after the Electroencephalography (EEG) brainwaves associated with them.
Regarded as “general” or regular programming, ALPHA is within the base control personality. It characterized by extremely pronounced memory retention, along with substantially increased physical strength and visual acuity. Alpha programming is accomplished through deliberately subdividing the victim’s personality which, in essence, causes a left brain-right brain division, allowing for a programmed union of Left and Right through neuron pathway stimulation.
BETA is referred to as “sexual” programming (slaves). This programming eliminates all learned moral convictions and stimulates the primitive instinct, devoid of inhibitions. “Cat” alters may come out at this level. Known as Kitten programming, it is the most visible kind of programming as some female celebrities, models, actresses, and singers have been subjected to this kind of programming. In popular culture, clothing with feline prints often denotes Kitten programming.
DELTA is known as “killer” programming and was originally developed for training special agents or elite soldiers (i.e. Delta Force, First Earth Battalion, Mossad, etc.) in covert operations. Optimal adrenal output and controlled aggression are evident. Subjects are devoid of fear and very systematic in carrying out their assignment. Self-destruct or suicide instructions are layered in at this level.
THETA – Considered to the “psychic” programming. Bloodliners (those coming from multi-generational Satanic families) were determined to exhibit a greater propensity for having telepathic abilities than did non-bloodliners. Due to its evident limitations, however, various forms of electronic mind control systems were developed and introduced, namely, bio-medical human telemetry devices (brain implants), directed-energy lasers using microwaves and/or electromagnetics. It is reported these are used in conjunction with highly-advanced computers and sophisticated satellite tracking systems. [13. Patton, op. cit.]
11 For they have healed the hurt of the daughter of my people slightly, saying, Peace, peace; when there is no peace. — Jeremiah 8:11
So long as a false peace is soothing our anxieties in regard to our state as sinners before God, this helps to deaden conscience; it does not always satisfy, but it subdues the activity of conscience, and opens a way for the subtle workings of Satan.