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Hillsong’s Young and Free ‘Peace’ Video – Creepy and Full of Illuminati Symbolism

About the PEACE Music Video

Lance Goodall  20 March 2018  — Update 25 March 2018

Hillsong Young & Free’s new music video  “P E A C E” channels the strange and supernatural . Although not the first time, their creative license constantly pushes through many an unbiblical boundary. The lyrics of the song highlight God’s peace that surpasses understanding, even mentioning “Jehovah Shalom” and Jesus by name.

But their ‘trippy’ video features maidens who are ghost-like in wearing white gowns and crowns, to a singer draped head to toe in red veils and a rainstorm of blood.

Hillsong’s own website talks about the video and the issue of anxiety

Thank you to everyone who has taken the time to watch and engage with our new music video for P E A C E.

The video has since been removed

See my NEW article regarding the removal and a new replacement video

Should Hillsong Y&F Have Taken Down Their Controversial Music ...


Just like a vestal virgin she is walking in barefeet


The website continues….


As many of you know, this song is an especially significant one for us because it deals with such an important subject – anxiety – which so many young people are struggling with.

We are passionate about the freedom that is found in God’s peace and we’re praying that this song becomes an anthem of the heart for those who need it the most.

When it came to making this video, we deliberately chose to represent the struggle of anxiety, along with the refuge that is found in God’s peace, in a symbolic way, allowing each young person who watched it to respond to it personally.

We know that art is always interpreted through each individual’s unique and special frame of reference, but it seemed extra important for us to make space for that to happen in this video, given how varied every experience with anxiety can be.

Cesar A. Cruz famously said “Art should comfort the disturbed and disturb the comfortable, so we’re pleased to hear that so many of you have found the comfort of God’s peace through the artwork of this music video.

Editors Comment:

Really? — This may be true of mainstream art, but the heart of Christian art should be to give glory to God, and to lift the spirits of the viewer or hearer, not oppress and trigger the viewer like this video does. 

Thank you to those who have bravely shared with us how you relate to the video’s depiction of struggling with anxiety, laying down the urge to fight the battle in your own strength, and finding release in God’s peace. Please pray with us that many more young people dealing with anxiety receive the good news of God’s peace through the video.

For some, our visual representation of anxiety in the video might triggersome confronting feelings. In this case, it’s vitally important that you speak to someone who can help you process what you’re feeling. In Australia, two options are Lifeline and Beyond Blue. We’ve included phone numbers and websites as well as options for the United States and United Kingdom at

From our perspective, it would be a total tragedy if those who need the message of God’s peace, instead get caught up in anxiety due to over-analyzing the symbols in the music video.


Editors Comment:

‘Over Analyzing’— Perhaps, but it would appear that they know exactly what they are doing. 

We’re working hard to refine our crafts, steward our talents, and create ‘artworks’ that give young people a glimpse of God’s divine mystery that makes them want to know more. Thanks for being the best supporters ever as we give it our best.

Love you guys,
Hillsong Young & Free


Editors Comment:

‘Our crafts’ — it’s craft alright, but more likely witchcraft


Image result for hillsong peace video hand

Witchcraft ? Yes…. look closely at the hands in this picture. See how overt and obvious this is. The hands are knotted and thin with elongated fingers and nails. They look like the hand of a craggy old witch from the children’s stories, or this is the hands of a demon…
Here is one video that shows some of the original images — you may wish to turn off the commentary
Hillsong  has pulled down the original video!!

The Vestal Virgins

 Picture of the goddess Vesta / Hestia

Picture of the goddess Vesta


Who was Vesta?

Vesta was the Roman goddess of fire, the hearth, the home and the Roman state.

When her brother Jupiter defeated the Titans, and ascended the throne of the gods on Mount Olympus, he offered to her grant whatever she asked. The only desire of Vesta was the preservation of her virginity. When she was introduced to Mount Olympus the gods Apollo and Neptune asked for her hand in marriage. She refused their offers and Jupiter allowed her to remain an eternal virgin.

The ass is Vesta’s sacred animal, whose braying supposedly kept the lascivious Priapus away. Vesta is portrayed as a stern woman, wearing a long dress and with her head covered. Her right hand rests against her side and in her left hand she holds a scepter.

At varying times there were four to six priestesses employed.  (note the number of veiled ladies in the video)

In Rome the only priesthood open to women was that of the Vestal Virgins. Other women could have religious duties but only in the role as wives to priests. There is some debate about the beginnings of the Vestal Virgins, most argue that the priesthood was established by King Numa in Alba as is told by many ancient historians 27

What cannot be ascertained is whether the Vestals are representations of his wives or his daughters

The Vestal Virgins were six in number  29; however Dionysius of Halicarnassus states that there “were originally four in number… Later their number was increased to six”

The goddess worshiped by the sacred prostitutes and the Vestals were not completely different.

Vesta was the patron goddess of Rome and placating her through the dedication to the sacred flame and other religious rites contributed to the well being of Rome 48 The Vestals were devoted to her for the protection of Rome, the breaking of their vows often being attributed to the cause of Rome’ s failings in military campaigns or plagues 49

Sacred prostitutes were mainly in Corinth whose patron goddess was Aphrodite Ourania, who was said to have been depicted in armour, though no depictions have survived. It is not hard to envisage that Aphrodite on Corinth would have taken a battle-ready role due to the influences, Aphrodite‟s counterparts often being depicted in armour or armed;

Both Vesta and Aphrodite Ourania provided the  function of protector of their realms.

It may never be fully understood as to why sacred prostitution was an integrated part of Greek religion and why women were all but excluded from offices in Roman religion. Sacred prostitution did exist in Corinth and possibly other parts of Greece, their power limited but none the less important. Vestal Virgins were the only priestess in Rome but were given more rights than other Roman women. Both groups of women played an important role in the worship of their respective goddesses which provided both Corinth and Rome with protection, from external dangers and internal.

The sexual portrayal of these women, one a pure untouched virgin, the other highly sexually charged, was utilised in a way that best benefited the goddess they were serving in order to ensure that the goddess provided for the city.


Vesta and the Vestal Virgins


The circular Temple of Vesta was situated in the Forum Romanum and served by the priestesses called the Vestal Virgins. The Vestal Virgins (sacerdos Vestalis) were the only female priestesses of Ancient Rome.

The duty of the Vestal Virgins was to keep the sacred fire that burned on the altar of the goddess Vesta from being extinguished and to preserve a sacred pledge on which the safety and the very existence of Rome was supposed to depend. The Romans looked upon Vesta as one of the protective deities of their empire and that the safety and fate of Rome depended upon the preservation of the sacred fire in the temple of Vesta. The Romans believed that the extinction of the sacred fire foreboded the most terrible misfortune to Rome and its empire.

Every March 1 the fire was renewed and it burned until 391, when the Emperor Theodosius I forbade public pagan worship.

The Vestalia was a festival held in honor of Vesta on the 9th of June, and was celebrated exclusively by women, who walked barefooted in procession to the temple of the goddess.



Facts about Vesta

The Roman goddess of fire, the hearth, the home and the Roman state.

History and Mythical Facts about Apollo

  • Vesta was the daughter of the Titan gods Saturnus and Ops
  • Vestalia was the festival of the goddess and was celebrated June 7 to June 15 when the curtained sanctum her temple was opened for Roman women to offer sacrifices
  • She was also celebrated on the Roman’s New Years day (March 1st) when her flame was ritually renewed
  • A Vestal Virgin swore a sacred vow of chastity for 30 years. If the vow was broken, the Vestal was buried alive in the Field of Wickedness (Campus Sceleris)
  • Her worship was observed in every household along with that of the Penates and the Lares
  • The sacred area of the Atrium Vestae comprised of the Temple of Vesta, a sacred grove, the Regia (headquarters of the pontifex maximus, or chief priest) and the House of the Vestal Virgins
  • The goddess was rarely depicted, and was instead represented by a naked flame.
  • Offerings were made to the goddess at every meal by throwing some of the food into the fire.
  • Her temple contained many of Rome’s important legal documents.
  • The institution of the Vestal Virgins is generally attributed to Numa Pompilius who reigned 715–673 BC
  • Any rite or religious act first required the invocation of Janus, with a corresponding invocation to Vesta at the end of the rite (Janus primus and Vesta extrema).

 Picture of the Vestal Virgins

Picture of the Vestal Virgins, the priestesses of the goddess Vesta

Deeper Meaning

The Tantric word for a sacred harlot was Veshya, probable origin of the Goddess’s oldest names in Greece and Rome,

Hestia or Vesta, the Hearth-mother, served by the Vestal Virgins who were originally harlot-priestesses.22

“Hearth” and “Earth” both arose from the altar of the Saxon Goddess Ertha, or Heartha, the northern Hestia-Vesta.

In the matriarchal age, every woman’s hearth-fire was her altar.23 The hearth was also the omphalos, feminine hub of the universe, navel-stone of the temple, around which the sacred harlots performed their Dances of Time.

Dancing harlots came to be called Hours: Persian houri, Greek horae. Egyptian temple-women also were Ladies of the Hour. Each ruled a certain hour of the night, and protected the solar boat of Ra in the underworld during his passage through her hour. 24

The Dance of the Hours began as a pagan ceremony of the Horae (divine “Whores”)

who kept the hours of the night by dances, as Christian monks later kept the hours of the day by prayers. The oldest authentic Hebrew folk dance is still called hora after the circle dances of the sacred harlots.

The Horae also guarded the gates of heaven, ministered to the souls of the blessed, and turned the heavenly spheres.25 (See Houri.)

Holy whores were called “virgins” because they remained unmarried (see Virgin Birth).

Like medieval nuns, they took veils as a badge of their office. Ishtar-Asherah-Mari-Anath was not only the Great Whore but also the Great Virgin (kadesha, holy one). Her Greek name was Athene, also described as a “virgin” (Parthenia); but Athene’s

temple, the Parthenon, was served by promiscuous hierodules like all other shrines of the Goddess.

Later myths rationalized the perpetual “virginity” of lascivious fertility-goddesses by periodic hymen-renewing ceremonies such as sea baptism, annual bathing in sacred springs, etc.

The virginity of Great Mother Hera was annually restored by a dip in the spring of Canathos at Nauplia. Pausanias  said the myth was based on a rite of bathing the Goddess’s image.35

Because whores occupied a significant position in paganism, Christians vilified their profession. Churchmen didn’t want to stamp out prostitution altogether, only amputate its spiritual meanings.

Katy Perry 

 Last year (May 2017)  Katy Perry is still appearing in places and releasing new material. And, guess what? Everything is drenched in MK-ULTRA, occult elite imagery. For instance, let’s look at Katy Perry’s attire at the Met Gala.
The most “Illuminati” dress of all times?


Created by the elite-friendly Maison Margiela, the dress had all of the components of occult ritual drama.

  • First, it was 100% bright red which, in occult ritual, represents sacrifice.
  • Blood speaks to them of power and the life is in the blood 
  • The veil on her head also hints to a ritualistic process.
  • Veils are removed from brides’ heads when they are ready to “consummate their wedding”.
  • Being a pawn of the elite is nothing less than a wedding … with the dark side.
  • The headdress of this ensemble is the most obvious part of it all.


It features an eye that covers one of Perry’s actual eyes. In other words, she was a walking-talking one-eye sign. In case you’ve never read any other articles on this site, the one-eye sign identifies pawns of the elite’s industry.

Around the eye is stitched the word “witness”. Eye Witness. On each side of her head are two spiral things and two rectangle things which make it look as if she had horns.

Some observers stated that the “Eye Witness” thing might be promoting her new album. Whatever the case may be, Katy is currently in DEEP Illuminati symbolism.

 In occult ritual, the period of sacrifice is often associated with hardships and humiliation. As an industry slave, Katy appears to be the current “chosen one” to undergo the bizarre ritual drama that the elite needs to have enacted in real life, across mass media.


Screenshot of woman with blood coming down all over her from the Peace video

 Rain Of Blood


The Amityville Horror

The original Amityville Horror (1979) is perhaps the best known use of the haunted house gag, but Stanley Kubrick’s version a year later in The Shining when the Overlook Hotel gushes forth a torrent of emotional blood from one of its elevators.



This is the horror and demonic theme seen in Hillsong’s video?


MK Ultra Programming 

Some of the 30 odd methods used against a victim/survivor is called a “slave” by the programmer/handler, who in turn is perceived as “master” or “god.” About 75% are female since they possess a higher tolerance for pain and tend to dissociate more easily than males. Monarch handlers seek the compartmentalization of their subject’s psyche in multiple and separate alter personas using trauma to cause dissociation.

Note method 26 and 30

26. Desecration of Judeo-Christian beliefs and forms of worship; dedication to Satan or other deities


30. Use of illusion and virtual reality to confuse and create non-credible disclosure [8. Ellen P. Lacter, Ph.D., Kinds of Torture Endured in Ritual Abuse and Trauma-Based Mind Control]

“The basis for the success of the Monarch mind-control programming is that different personalities or personality parts called alters can be created who do not know each other, but who can take the body at different times. The amnesia walls that are built by traumas, form a protective shield of secrecy that protects the abusers from being found out, and prevents the front personalities who hold the body much of the time to know how their System of alters is being used. The shield of secrecy allows cult members to live and work around other people and remain totally undetected.

The front alters can be wonderful Christians, and the deeper alters can be the worst type of Satanic monster imaginable–a Dr. Jekyll/Mr. Hyde effect.

A great deal is at stake in maintaining the secrecy of the intelligence agency or the occult group which is controlling the slave. The success rate of this type of programming is high but when it fails, the failures are discarded through death. Each trauma and torture serves a purpose. A great deal of experimentation and research went into finding out what can and can’t be done. Charts were made showing how much torture a given body weight at a given age can handle without death.” [9. Springmeier, op. cit.]

“Due to the severe trauma induced through ECT, abuse and other methods, the mind splits off into alternate personalities from the core. Formerly referred to as Multiple Personality Disorder, it is presently recognized as Dissociative Identity Disorder and is the basis for MONARCH programming. Further conditioning of the victim’s mind is enhanced through hypnotism, double-bind coercion, pleasure-pain reversals, food, water, sleep and sensory deprivation, along with various drugs which alter certain cerebral functions”. [10. Patton, op. cit.]

Dissociation is thus achieved by traumatizing the subject, using systematic abuse and using terrifying occult rituals.

Once a split in the core personality occurs, an “internal world” can be created and alter personas can be programmed using tools such as music, movies (especially Disney productions) and fairy tales.

These visual and audio aids enhance the programming process using images, symbols, meanings, and concepts. Created alters can then be accessed using trigger words or symbols programmed into the subject’s psyche by the handler. Some of the most common internal images seen by mind control slaves are trees, Cabalistic Tree of life, infinity loops, ancient symbols and letters, spider webs, mirrors, glass shattering, masks, castles, mazes, demons, butterflies, hour glasses, clocks, and robots. These symbols are commonly inserted in popular culture movies and videos for two reasons: to desensitize the majority of the population, using subliminals and neuro-linguistic programming and to deliberately construct specific triggers and keys for base programming of highly-impressionable MONARCH children. [11. Ibid.] Some of the movies used in Monarch programming include The Wizard of Oz, Alice in Wonderland, Pinocchio and Sleeping Beauty.

The movie The Wizard of Oz is used by Monarch handlers to program their slaves. Symbols and meanings in the movie become triggers in the slave’s mind enabling easy access to the slave’s mind by the handler. In popular culture, veiled references to Monarch programming often use analogies to The Wizard of Oz and Alice in Wonderland.
The movie The Wizard of Oz is used by Monarch handlers to program their slaves. Symbols and meanings in the movie become triggers in the slave’s mind enabling easy access to the slave’s mind by the handler. In popular culture, veiled references to Monarch programming often use analogies to The Wizard of Oz and Alice in Wonderland.

Levels of Monarch Programming

A brief outline highlights the key levels of Monarch Programming identify the slave’s “functions” and are named after the Electroencephalography (EEG) brainwaves associated with them.

Types of brain waves in EEG
Types of brain waves in EEG


Regarded as “general” or regular programming,  ALPHA is within the base control personality. It characterized by extremely pronounced memory retention, along with substantially increased physical strength and visual acuity. Alpha programming is accomplished through deliberately subdividing the victim’s personality which, in essence, causes a left brain-right brain division, allowing for a programmed union of Left and Right through neuron pathway stimulation.

BETA is referred to as “sexual” programming (slaves). This programming eliminates all learned moral convictions and stimulates the primitive instinct, devoid of inhibitions. “Cat” alters may come out at this level. Known as Kitten programming, it is the most visible kind of programming as some female celebrities, models, actresses, and singers have been subjected to this kind of programming. In popular culture, clothing with feline prints often denotes Kitten programming.

DELTA is known as “killer” programming and was originally developed for training special agents or elite soldiers (i.e. Delta Force, First Earth Battalion, Mossad, etc.) in covert operations. Optimal adrenal output and controlled aggression are evident. Subjects are devoid of fear and very systematic in carrying out their assignment. Self-destruct or suicide instructions are layered in at this level.

THETA – Considered to the “psychic” programming. Bloodliners (those coming from multi-generational Satanic families) were determined to exhibit a greater propensity for having telepathic abilities than did non-bloodliners. Due to its evident limitations, however, various forms of electronic mind control systems were developed and introduced, namely, bio-medical human telemetry devices (brain implants), directed-energy lasers using microwaves and/or electromagnetics. It is reported these are used in conjunction with highly-advanced computers and sophisticated satellite tracking systems. [13. Patton, op. cit.]



11 For they have healed the hurt of the daughter of my people slightly, saying, Peace, peace; when there is no peace. — Jeremiah 8:11

So long as a false peace is soothing our anxieties in regard to our state as sinners before God, this helps to deaden conscience; it does not always satisfy, but it subdues the activity of conscience, and opens a way for the subtle workings of Satan.



10 thoughts on “Hillsong’s Young and Free ‘Peace’ Video – Creepy and Full of Illuminati Symbolism

  1. They’ve since taken the video down. Do you know of a place where I can see the original video, so I could show it to someone who doesn’t believe Hillsong would make a video like this?

  2. Okay I am so sorry but everyone is reading so much into this. I don’t understand still how everything you mention relates to this video. Everything looks unintentional. I believe everyone believing this is at all too triggering for a Christian is like too weak to even watch the Jesus dying on the cross scene in the Passion movie. Christians are supposed to be tough. And just because the video has a gloomy feel doesn’t mean it’s Satanic. There’s legit intentional art work creativity going on here in fact they tried too hard lol. But that’s fine they tried and did pretty good and it all makes sense honestly. Like there’s more important things to worry about than calling them ‘Hellsong’ instead of ‘Hillsong’.
    And it’s just wrong to even come and judge something you don’t even know about well. These are genuine people with good intentions. Clearly no ones satanic lol. Just instead of trying to come up with conspiracies by doing research to connect the dots (in far fetched ironic ways) . With all that time you spent you should like go sit down in your room and pray and read the Bible and maybe actually ask God for a change.

    1. Elizabeth,

      This is part of Sedary’s reply yesterday “The problem is so many artists go through secular training. I did. When I was in the university (one with an awesome art department) I thought artists had to be weird. I was greatly influenced by the world.”

      If you were to imagine your town or city having just refurbished their local art gallery. You have a chance to visit and take in the new surroundings. You see a Monet or two, a copy of rembrandt’s work, even a copy of the Mona Lisa. You soon find yourself in a new wing called modern art, and you instantly recognise some pieces from Van Gogh and Picazzo. As you turn a corner a door opens to another area where you see what looks like red paint splattered on the wall. Your curiosity is peaked as you go through an entrance to find more red paint but smeared where a body lies motionless. Confused you move further along the wall to see a elderly woman lying passive with a large pool of this red dye/paint around her. You move to the end of the room where you see a young 11 year old girl clutching her abdomen and you realise that there has been a massacre, a dangerous killer has been let loose on the first day of the reopening.

      You call emergency services and art museum staff to help and assist.

      When did you realise it was a murder scene and not a new art display? In the same way as you look at this video and the images captured you cannot say its normal. you cannot say it has anything to do with peace. Hillsong must be called out.

      “And he said, Go, and tell this people, Hear ye indeed, but understand not; and see ye indeed, but perceive not.

      10 Make the heart of this people fat, and make their ears heavy, and shut their eyes; lest they see with their eyes, and hear with their ears, and understand with their heart, and convert, and be healed.

      11 Then said I, Lord, how long? And he answered, Until the cities be wasted without inhabitant, and the houses without man, and the land be utterly desolate,

      12 And the Lord have removed men far away, and there be a great forsaking in the midst of the land.” — Isaiah 6

  3. Lance,

    Well said! Wow the art example.. and to think Hillsong had the nerve to try and back up their statement with a foolish worldly quote regarding art and how it should make us feel uncomfortable.

    1. Thanks Michelle

      There comments are blindingly ignorant.

      For they being ignorant of God’s righteousness, and going about to establish their own righteousness, have not submitted themselves unto the righteousness of God. – Rom 10.3

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